Some shoots start with a plan and end with the sky doing something you could never have planned. This was one of those.
I've worked with Isaac before. Over the summer we did a Pride-themed shoot, and after that he brought me new album art for a release he had coming up later in the summer. So when he came to me with a Halloween idea, I was already on board. He wanted something with the feeling of an eerie, empty theme park at night, with him roaming the boardwalk and ready to go into action at any moment.
Coney Island in Brooklyn was the obvious place to find that feeling. Once the crowds leave, the boardwalk has a quiet, slightly uneasy energy that suits a Halloween session perfectly.
The plan had a few moving parts. We wanted the Wonder Wheel lit up behind him, so we picked a night when the lights would be on. We went back and forth between a weeknight, a Friday, and a Saturday, and we kept an eye on the Coney Island live webcams like it was our job. In the end, all that preparation didn't matter. The wind and weather that night closed that entire section of the park. The weather was going to do what the weather was going to do, so we adjusted and made the most of the park as it was.
Then the weather handed us something better. We shot the night before a significant nor'easter moved into the New York area. As the sun dropped below the clouds at sunset, the sky lit up in the most gorgeous pinks, oranges, and reds. We stopped for a few minutes to take it in before we got to work. It's a moment I won't forget, and it set the tone for everything that came after.
Isaac committed to the idea completely, from the bat over his shoulder to the long, quiet stares down the empty walkway. The photos from that night are a mix of tight portraits, moody profiles, and wider shots of him standing alone in front of the rides.
We also went into the edit with a specific look in mind. I wanted these to feel like they were shot on film in the 1990s: analog, a little grainy, and nostalgic, like a photo you'd find tucked in an old album and remember taking. Rather than chasing clean digital sharpness, we leaned into warm color, soft highlights, and texture, so the lights and the rides feel like they belong to another decade.
I'm based in the Hudson Valley, so a night in Brooklyn is a bit of a trip for me, but it was worth every mile. Thank you, Isaac, for trusting me with the idea and for handling the wind like a pro.
If you're planning a portrait session, especially one built around a specific place or mood, I'd love to hear about it. Get in touch to start planning, and always have a backup plan for the weather.